asvskartheek / writing-rap-lyrics

Helps write rap lyrics with proper rhythm, flow, cadences, and structure. Teaches musical fundamentals (bars, beats, tempo, BPM) and lyric formatting. Use when writing rap lyrics, creating verses, understanding flow, structuring bars, improving cadence, learning rhythm patterns, or formatting rap lyrics.

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---
name: writing-rap-lyrics
description: Helps write rap lyrics with proper rhythm, flow, cadences, and structure. Teaches musical fundamentals (bars, beats, tempo, BPM) and lyric formatting. Use when writing rap lyrics, creating verses, understanding flow, structuring bars, improving cadence, learning rhythm patterns, or formatting rap lyrics.
allowed-tools: Read, Write, Edit
---

# Writing Rap Lyrics

Master rhythm and poetry to create professional-sounding rap with proper flow, structure, and timing.

## Quick Start

**Most common mistake**: Focusing only on rhymes without understanding rhythm.
**Solution**: Learn to be a musical instrument by mastering bars, beats, and cadences using table format.

**Basic bar structure** in 16-column table:

| 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| **Kick** | | | | **Snare** | | | | **Kick** | | | | **Snare** | | | |

- Columns 1, 5, 9, 13 = Beats 1, 2, 3, 4
- Kick drums on beats 1 and 3 (columns 1 and 9)
- Snare drums on beats 2 and 4 (columns 5 and 13)

## Core Concepts

### Bars and Beats

**Bar**: A set length of time used to measure rap distance. Like a mile or kilometer for music.
- Producers ask for "16-bar verses," not "1 minute of rapping"
- Every bar contains 4 beats in most rap music

**Tempo/BPM**: Speed at which bars move (Beats Per Minute)
- High BPM = faster movement through bars
- Low BPM = slower movement through bars

**Drum pattern reference**:
- Kick drum: Usually on beats 1 and 3
- Snare drum: Usually on beats 2 and 4

### The Three Rhythm Counts

**Quarter Notes (4 Count)**:
- One syllable per beat
- Practice: "1, 2, 3, 4"
- Foundation of rhythm

**Eighth Notes (8 Count)**:
- Two syllables per beat (beat divided in half)
- Practice: "1 and 2 and 3 and 4 and"
- The "and" is the half-beat

**Sixteenth Notes (16 Count)**:
- Four syllables per beat (most common in rap)
- Practice: "One-you-better, Two-you-better, Three-you-better, Four-you-better"
- Each word is one sixteenth note

See [rhythm-reference.md](reference/rhythm-reference.md) for advanced note patterns and timing.

## Lyric Formatting Rules

**Critical**: Always format lyrics in table format for precise timing and visual rhythm patterns.

### Table Format System

**16-Column Table** (Standard):
- Each column = one sixteenth note
- One bar = 16 columns (4 beats × 4 sixteenth notes per beat)
- Use for: Most rap songs, standard timing

**32-Column Table** (Double-time):
- Each column = one thirty-second note
- One bar = 32 columns
- Use for: Very fast rap, technical flows, detailed timing

### Basic 16-Column Structure

Each bar is one row. Columns represent sixteenth note positions:

| 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|

**Beat markers**:
- Columns 1, 5, 9, 13 = On-beat (downbeats)
- Columns 3, 7, 11, 15 = Eighth note positions (&)
- Columns 2, 4, 6, 8, 10, 12, 14, 16 = Off-beat sixteenth notes

### Why Table Format?

1. **Visual rhythm**: See exactly where syllables land
2. **Rhyme patterns**: Rhymes in same columns are obvious
3. **Beat alignment**: Ensure words hit on correct beats
4. **Producer friendly**: Easier to develop beats around lyrics
5. **Pattern recognition**: Repeating flows become clear

### Formatting Rules

- **One syllable per cell** (or merge cells for held notes)
- **Empty cells = silence/rest**
- **Bold text = emphasis/loud delivery**
- *Italics = soft/whisper delivery*
- Use `|` for breath marks
- Group rows in sets of 4 bars for readability

## Creating Flow with Cadences

**Cadence**: A pattern of notes and pauses (like "dance moves" for rappers)

### Using the Scatting Technique

1. **Make random sounds** over the beat instead of words
2. **Focus purely on rhythm** without worrying about meaning
3. **Find a rhythm you like** through experimentation
4. **Fit your lyrics** into that rhythm pattern
5. **Adjust words** to match the cadence perfectly

**Why scatting works**: You become a musical instrument, discovering flows naturally.

## Making Your Rap Catchy

Human ears love **patterns**. Create catchiness through three layers:

### 1. Cadence Patterns
- Repeat rhythm patterns across 2-4 bars
- Don't make every bar exactly the same
- Keep parts of the rhythm similar

### 2. Rhyme Scheme Patterns
- **Internal rhymes**: Rhymes inside a bar
- **End rhymes**: Rhymes at end of bar
- Place rhymes in same spot for at least 2 bars

### 3. Delivery Patterns
- **Emotion and tone** variations
- Example: Relaxed tone with louder emphasis on rhyming words
- Creates "3D effect" that makes rhymes "pop"

## Best Practices

**Even Numbers Rule**: Keep patterns for 2, 4, or 8 bars
- Odd numbers feel unfinished to listeners

**Start Simple**: Master 8-count and 16-count before complex flows

**Practice Daily**: Work on counts and patterns consistently

**Don't Rush**: Build from quarter notes → eighth notes → sixteenth notes

## Workflow for Writing a Verse

1. **Choose your beat** and identify the tempo
2. **Decide format**: 16-column (standard) or 32-column (double-time/technical)
3. **Count along**: Practice "1, 2, 3, 4" to find the kicks and snares
4. **Scat over the beat** to discover natural rhythms
5. **Lock in a cadence** pattern you like (2-4 bars)
6. **Create table**: Set up 16 or 32 columns with header row
7. **Fill in syllables**: Place each syllable in correct column
8. **Mark emphasis**: Use bold for loud delivery, italics for soft
9. **Check patterns**: Ensure rhymes and rhythms repeat in same columns
10. **Practice delivery**: Rap along with the table to verify timing

## Common Issues and Solutions

**Issue**: "My lyrics sound off when I rap them"
**Solution**: You're only focusing on rhymes. Learn the rhythm counts first and use table format.

**Issue**: "I can't remember my timing"
**Solution**: Use table format. Seeing syllables in columns makes timing visual and memorable.

**Issue**: "My flow sounds random and messy"
**Solution**: Create patterns. In table format, repeat syllable placement in same columns across 2-4 bars.

**Issue**: "I don't know where to place my words"
**Solution**: Practice the three counts (4, 8, 16) and fill in the table columns systematically.

**Issue**: "The table format looks overwhelming"
**Solution**: Start with 16-column format and only fill eighth note positions (columns 1, 3, 5, 7, 9, 11, 13, 15). Progress to all 16 columns as you improve.

## Examples

**Example 1: Basic 8-Count Flow (16-Column Table)**
```
Input: "Write a simple 4-bar verse with basic flow"
Output:
```

| 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Ev | | ery | | beat | | I'm | | count | | ing | | one | to | four | |
| Learn | | ing | | how | to | rap | | and | | so | much | **more** | | | |
| Sim | | ple | | eight | | count | | flow | is | where | I | **start** | | | |
| Mas | | ter | | ing | the | fun | da | men | tal | **art** | | | | | |

**Analysis**:
- Eighth note rhythm (every other column used)
- Rhymes "more/start/art" align in columns 13-14
- Emphasis on rhyming words (bold)

**Example 2: Dense 16-Count Flow with Internal Rhymes**
```
Input: "Write 2 bars with fast 16-count flow and internal rhymes"
Output:
```

| 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| I'm | **hit** | ting | ev | ery | six | teenth | note | with | pre | ci | sion | ex | **act** | | |
| Rhy | thm | and | the | **rhymes** | in | ter | **twined** | and | that's | a | **fact** | | | | |

**Analysis**:
- Full 16-count pattern (most columns filled)
- Internal rhymes: "hit/six" (columns 2-6), "rhymes/twined" (columns 5-8)
- End rhymes: "exact/fact" (column 13)
- Pattern repeats across both bars

**Example 3: 32-Column Table for Technical Flow**
```
Input: "Show a very fast technical verse in 32-column format"
Output:
```

| 1|e|&|a|2|e|&|a|3|e|&|a|4|e|&|a|1|e|&|a|2|e|&|a|3|e|&|a|4|e|&|a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|I|can|rap|at|dou|ble|speed|with|tech|ni|cal|flow|that's|pre|cise|and|ev|ery|syl|la|ble|lands|ex|act|ly|where|I|de|signed|it|to|go|

**Analysis**:
- 32 columns for very fast delivery
- Almost every position filled
- Use for showing extremely technical, rapid-fire flows

**Example 4: Visualizing Rhythm Patterns**
```
Input: "Show how to see repeating patterns in table format"
Output:
```

| 1 | e | & | a | 2 | e | & | a | 3 | e | & | a | 4 | e | & | a |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| **Mon** | ey | in | my | **pock** | et | yeah | I | **got** | it | go | ing | **fast** | | | |
| **Run** | ning | to | the | **top** | and | I | ain't | **stop** | ping | for | no | **cast** | | | |

**Analysis**:
- Identical rhythm pattern in both bars
- Syllables land in exact same columns
- Rhyme scheme visible: "pocket/top" (column 5), "got/stop" (column 9), "fast/cast" (column 13)
- Shows how patterns create catchiness

## When to Use This Skill

Activate this skill when:
- "Help me write rap lyrics"
- "How do I structure a verse"
- "Explain bars and beats"
- "My flow sounds off"
- "What's a cadence"
- "How do rappers count rhythm"
- "Format my rap lyrics"
- "Improve my rap flow"
- "Teach me to rap"
- "Understand sixteenth notes in rap"

## Advanced Topics

For detailed information on:
- Complex rhythm patterns and polyrhythms
- Advanced cadence combinations
- Triplet flows and off-beat patterns
- Double-time and half-time switching

See [rhythm-reference.md](reference/rhythm-reference.md)

## Remember

Rap = **Rhythm + Poetry**

You must master both. Most beginners focus only on poetry (rhymes and stories). The musical side (bars, beats, cadences) is what makes good lyrics sound professional.